Dutch Baroque Era Painter, ca.1625-1679 Daily life was Jan Steen's main pictorial theme. Many of the genre scenes he portrayed are lively to the point of chaos and lustfulness, even so much that a Jan Steen household, meaning a messy scene, became a Dutch proverb (een huishouden van Jan Steen). Subtle hints in his paintings seem to suggest that Steen meant to warn the viewer rather than invite him to copy this behaviour. Many of Steen's paintings bear references to old Dutch proverbs or literature. He often used members of his family as models. Jan Steen painted also quite a few self-portraits, in which he showed no tendency of vanity. Steen did not shy from other themes: he painted historical, mythological and religious scenes, portraits, still lifes and natural scenes. His portraits of children are famous. He is also well known for his mastery of light and attention to detail, most notably in textiles. Steen was prolific, producing about 800 paintings, of which roughly 350 survive. Steen's work was valued much by contemporaries and as a result he was reasonably well paid for his work. He did not have any students, but his work proved a source of inspiration for many painters.  Related Paintings of Jan Steen :. | The Adoration of the Shepberds | Backgammon Playersl | Leaving the Tavern | The Merry family | The Bean Feast |
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Luca Carlevarijs
Luca Carlevarijs or Carlevaris (20 January 1663 - 12 February 1730) was an Italian painter and engraver of landscapes (vedutista). Carlevarijs was born in Udine, but worked mostly in Venice. His vedute of Venice are among the earliest Baroque depictions of the city. He was influenced by the Dutch painter active in Rome, Caspar van Wittel (often called Vanvitelli). The painters Canaletto and Antonio Visentini are said to have been highly influenced by or pupils of his. Johan Richter did work with him. Also called Luca Casanobrio or Luca di Ca Zenobri, for his patronage by the latter family. He painted landscapes, sea-pieces, and perspective views. He completed over a hundred etchings of views in Venice, which give an exact representation of the principal places in that city. He died in Venice.
George Turner
1750-1843. Turner was born in Cromford, Derbyshire in England, but then moved to Derby with his family. He showed an early talent for music and art - encouraged by his father Thomas Turner, who although a tailor by profession was also an art enthusiast. Turner was largely self-taught and went on to become a professional painter and art teacher. A quiet scene in Derbyshire (1885)Turner lived in Derbyshire all his life. In 1865 he married Eliza Lakin (1837 - 1900), becoming a part-time farmer and raising four children at Walnut farm in Barrow upon Trent.[1] After Eliza's death in 1900, he moved to Kirk Ireton and later married fellow artist Kate Stevens Smith (1871-1964) - they set up home in Idridgehay where he died in 1910. His son William Lakin Turner (1867-1929) also became a landscape oil painter of repute. Turner worked in oils and painted bucolic scenes mainly of his native Derbyshire, leaving an important legacy of hundreds of pictures depicting the English countryside before the coming of mechanisation, the motor car and urban expansion. His work was exhibited in Nottingham and Birmingham. Turner served on the Art Committee of Derby Art Gallery and both his and his son's paintings are included in the city's collection.
henry mayhew
English journalist and sociologist. He studied law but soon turned to journalism. In 1841 he founded the highly successful Punch. A vivid and voluminous writer, he is best known for London Labour and the London Poor (1851 C 62), an evocation of the sights and sounds of the working-class districts of London, which influenced Charles Dickens and other writers. He also wrote plays, farces, fairy tales, and novels, some in collaboration with his brother Augustus Septimus Mayhew